Press Acclaim

“Bowden is as bright and clear as ever. With her previous album being all transcriptions, these chance-taking works are a perfect compliment in her collection…this album is not background music. Rather, its intense moments and broad range of musical voices will grab your attention.”
Colleen Wheelahan
,
Classically Colleen
“Mary Elizabeth Bowden, an artist of remarkable virtuosity and warmth, brings a distinct voice to the trumpet. Her performance on this album is nothing short of extraordinary, marked by a blend of technical precision and emotive depth.”
Illiam Sebitz
,
Five Finger Review
“An outstanding solo performance by trumpet soloist Mary Elizabeth Bowden.”
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Luzerner Zeitung (Switzerland)
"The concerto requires virtuosic playing almost throughout, showcasing Bowden’s facility in rapid passage work, register extremes, and unusual techniques..."
Mark Tiarks
,
Santa Fe New Mexican
"Seraph immediately grabbed attention with their signature opener, the Prelude from Grieg’s Holberg Suite, flawlessly tossed off from memory at a brisk tempo, then turned to Verdi’s “Sempre Libera” from La traviata, with Bowden taking the role of Violetta in expressive, diva-worthy melismas."
Daniel Hathaway
,
Cleveland Classical
“Soloist Mary Elizabeth Bowden delivered a clear, beautifully phrased reading of the once groundbreaking work [Haydn Trumpet Concerto]. Bowden rendered clean scale motifs and virtuosic flourishes with ease."
Judith Reynolds
,
Durango Herald
“Bowden executed the difficult leaps (and in a high register for her trumpet) with ease and aplomb.”
Bill Hemminger
,
Courier and Press
“With some amazing arrangements as well as some works by living composers, this CD offers an unusually attractive program, which is ravishingly played by the American trumpeter Mary Elizabeth Bowden…There are no limits to Bowden’s music-making. She is highly virtuosic, but also masters the most delicate and lyrical tones…her art of colours and the warmth of her tone are particularly striking. There is nothing shrill, nothing seems uncontrolled, and everything points to an absolutely sovereign mastery of the instrument.”
Remy Franck
,
Pizzicato
“The title-track “Radiance," an adaptation of David Ludwig’s plaintive soliloquy for oboe and strings, shows just how chaste and radiant a piccolo trumpet can be…Splendidly played... Bowden does her best work on James Stephenson's erratically stylish track "Croatian Trio".
Laurence Vittes
,
Gramophone Magazine
“The Chameleon Arts Ensemble completed its exploration of Bach and the Baroque’s influence on subsequent generations by returning to the source and giving us all six Brandenburg concertos in a single evening. The second half opened with Brandenburg No. 2, notable for its high-register concertino of flute, oboe and clarino trumpet; in this instance Mary Elizabeth Bowden, to great effect and with no apparent effort, played a piccolo trumpet with rotary valves. The allegro was played briskly, square, tight and muscular, followed by a tender and exceptionally expressive andante while the trumpet rested. The third movement fugue was delightful, with wonderful interplay among the soloists.”
Leon Golub
,
The Boston Music Intelligencer
“She performs with authority throughout, whether executing notes acrobatically or murmuring softly, and her playing exemplifies poise and clarity… All things considered, it's safe to assume admirers of Bowden's Radiance will be as impressed by this latest collection.”
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Textura Review
“Her piccolo trumpet tone is pure, refined, and warm—quite impressive. She sounds even better in David Ludwig’s ‘Radiance’ for piccolo trumpet and strings. It is a lyrical work with big leaps up to very high notes, and she does them with no apparent strain.”
Barry Kilpatrick
,
American Record Guide
“Bowden's sound is indeed "radiant"-very clear, focused, slightly lighter than some, but marked by dramatic power and elegant lyricism. She is equally at home on the high piccolo trumpet as on the larger horns...This is a very enjoyable recording that will prove of great value to trumpeters and all lovers of new music.”
Ronald W. Holz
,
The Brass Herald (England)
“The opening piece, Escapade–by the easy to enjoy American composer Joseph Turrin–immediately shows off Bowden’s brilliant and colorful sound. [David Ludwig’s] Radiance is a dreamy, yet thoughtful work, awash with delicate tonality and an uneasy tranquility. This is a musical business card for a very fine young artist, and it works quite well.”
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Broad Street Review (Philadelphia)
“There’s something about Mary Elizabeth Bowden and her ability on the trumpet – a fluid sense of light and dark, of grace and power…”
Harry Kollatz Jr.
,
Richmond Magazine
“Mary Elizabeth Bowden looked as willowy and elegant as a high-fashion model as she delivered the Arutunian Concerto for Trumpet and Orchestra. The long stretches of multiple-tongued passage work were dispatchedwith striking precision and the lyric moments were invested with bronzed, singing tone. Very impressive.”
Erik Erikkson
,
Music Through The Door
“A splendid debut recording of classical works by trumpeter Mary Elizabeth Bowden, especially when her playing is so expressive on the eight compositions. On technical grounds, she's an exquisite player whose polished tone is heard in ample supply on the seventy-four-minute release.”
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Textura Magazine (Canada)
“Joseph Hallman's Sonata for Trumpet (and Flugelhorn) was played with impeccable precision of tone and technique by the performers, Mary Bowden and Milana Strezeva. The third movement included much technical work that Bowden handled effortlessly. The piece showcased the multitude of talents of this rising star in the trumpet world.”
Raquel Samayoa
,
International Trumpet Guild Journal
“Those in attendance enjoyed listening to Bowden nail Catherine McMichael’s Totem Voices, a multi-movement work that highlighted her excellent control and phrasing. Hall and Bowden then delivered a very impressive performance of Joseph Turrin’s Arabesque for Two Trumpets, after which the crowd roared."
Richard Tirk
,
International Trumpet Guild Journal
“The stage lit up, as Bowden showed why Yale’s graduates are so highly regarded.”
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The Commonwealth Times (Richmond, Virginia)